The Future of AI Art Generation And How Production Companies Are So Profitable
Transcribed with NVIDIA Parakeet · Timestamps stay in sync with the live audio
All right, so what's going on? So basically there's streaming wars going on. Netflix, Disney, Hulu, everybody's fighting for subscribers. Okay, well, how am I gonna differentiate from if I'm Netflix, how do I differentiate from Hulu if I and HBO and all this stuff? Basically they need original content. Okay, so that's created this like huge imbalance. Uh there used to be a lot of content and a small amount of distribution. Now there's a lot of distribution fighting for Small amount of content.
And all the distribution players have just decided like The prize is big. Let's lose money for a lot of like several years and invest billions into content and like let's be the last person standing. And so they're they're investing on what you call a J curve where the curve goes down, you lose a bunch of money, and then it like a J it goes way up and you make money later. What that means for these production companies is They'll overpay. There is a bidding war and they are willing to overpay for my content.
All right, in this episode we are talking about the latest industry that I am totally completely obsessed with I almost can't think of anything else and I'm not sure why other people aren't freaking out about this. So I go on a rant about that. What else we got? We talked about Mark Manson and uh how he's got this amazing empire that on this book called The Subtle Art of Not Giving an an F. I'll say F there. And how it started just as a blog post and turned into this amazing business that's making tens of millions of dollars for for for him. And and then we also talked about production companies and how the breakdown is actually way better than we thought. You know, the the economics and how it works is far more fascinating than we anticipated. Alright, enjoy. Alright, we're live. Dude, I'm in a horrible mood.
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